Tuesday 29 April 2014

World dance day 2014


HELLO. FRIEND WISH YOU A HAPPY WORLD DANCE DAY.. FROM DANCING-MAGAZINE(INDIA)

On April 29, 2014 International Dance Day, also known as World Dance Day, is celebrated through promotion by the International Dance Council (CID). The day was introduced in 1982 by the International Dance Committee of the UNESCO International Theatre Institute. The date was chosen to commemorate the birthday of Jean-Georges Noverre, who was born in 1727, a French dancer and ballet master and a great reformer of dance.

The annually observed World Dance Day should increase the awareness of the importance of dance among the general public. Its goal is also to persuade governments all over the world to provide a proper place for dance in all systems of education. 

Around the world, there are events on World Dance Day, such as open-door-courses, exhibitions, articles concerning all kinds of dance, dance evenings, street shows, and special performances, etc. Above this, every year a message from a well known dance personality is circulated throughout the world. 
The CID is a non-profit umbrella organization for all forms of dance in the world. It was founded in 1973 within the UNESCO headquarters and has its headquarters in Paris, France. CID advises the UNESCO, national and local government agencies, international organizations and institutions. Currently it is represented in over 120 countries.
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Sunday 27 April 2014

The Dancing Feet summer Camp


Enjoy The Dancing Feet summer Camp 2014 from 9th May To 25th May at Nanded , 
( Admission open Hurry up !)
 & Competition - after Dance Summer Camp We organize Grand Finale of the Dance – 
Final judge Dharmesh Sir & Krishna Rao Sir.
Call for Registration 08888100071, 07774005522, 07030476415, 0703047641
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Friday 25 April 2014

DANCE CLASSES


THE OPPORTUNITY IS HERE!!!!
for Beginners, Amateurs & Pros...

HIPHOP INDIA DANCE COmpany, bangalore's leading HipHop Dance School is proudly announcing its fresh Courses for basic, intermediate and advanced level hiphop.

The registrations are opening from 1st Feb 2014.
Time:
Saturday, February 1 - 9:00am to Friday, February 21 - 11:55pm

Location:
HipHop  Bangalore, , India

The Classes are held in HiPhOpInDiA Kmgla Batch, ELECTRONIC City (near PES College), HIP HOP INDIA SADHASHIVNAGAR ( FITNESS ONE ), B.E.L. Road (near Rammaiah College), R.T.Nagar (near Police Station), HSR layout and Bannerghatta Road (venue will be announced)

Choose your choice of classes and courses and center, begin your dance journey to a fruitful tomorrow...

Watch out for HIPHOP SHOWCASE CHAPTER IV, Original Dance SHOW & Year End SHOW .....

For Courses details call u on 9741599499/ 9986697393.

NOW what you are waiting for, grab your phone to confirm your slot..... R.T.
FACEBOOK PAGE = HIP HOP INDIA

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Thursday 24 April 2014

Tutting Workshop


Here is Good News For All Tutting Lovers In Indore [MP]
 Dance Project - Tutting Indore M.P , 
Leoz Tutting (Rohit Keshri) And Silver Head Going To Take Workshop At 22nd Century Dance Classes
Going To Teach 
1.King Tutting 
2.Finger Tutting 
3.Finger Digits 
4.gloving [For First Time Ever In India]  
5. Duet Tutting 
6.Chain Tutting 
7. Lyrical Tutting

Fees Only 600 Rs. WITH PARTICIPATION CERTIFICATE 
Dates : 28th - 30th April 
Venue : EF 5 Anusuia Play School, Opp Rankers international Point Near Rajshree Hospial, Sch No. 54, Vijay Nagar Sq. Indore

For More Details and Registrations 
Contact Tejas Khanna :09977848968
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Sunday 20 April 2014

Tutting


Tutting is the name given to a contemporary abstract interpretive dance style that exploits the body's ability to create geometric positions and movements, predominately with the use of right angles. It is performed with minute attention to the musical rhythm, typically by altering positions in a stop-and-go fashion. 

History

Though Tutting is currently a prevalent form in the closely related funk and electronic dance communities, its history, as with most dances, is not well documented.

'Tutting' referring to a distinct style gained usage with the advent of funk styles during the early 1980s. Within that community, dancers would use tutting poses while performing popping routines. One would 'hit' one position and then move immediately onto the next, similar in action to the robot popping routine only slightly faster. These movements made use of the wrists, elbows, and shoulders to create the desired right angle.

Presumably, the dance began as a mimicking of the angular poses common to ancient Egyptian art. In the early half of the 20th century, these poses were performed by various groups for comical effect (see the article Walking like an Egyptian). Tutting as a whole or certain tutting moves have been referred to as 'King Tut'; it is likely from this colloquialism for the Pharaoh Tutankhamun, as a representative of ancient Egypt in western popular culture, that the form gained its name. For this reason, Tutting is sometimes incorrectly identified as the related cultural phenomenon "Walking like an Egyptian".

Recent developments

Although tutting as a style has maintained its close ties to popping, it has since evolved to making use of a much wider range of positions and movements. The size of poses, or tuts, now varies from large body tuts to intricate finger tuts. The transitions between poses have become more elaborate and expressive. Moreover, certain substyles of tutting have emerged such as: boxing which consists of creating and manipulating box-like or rectangular shapes predominantly with ones arms; a liquid influenced style that some tutters use to make the joints appear as hinges that can then be manipulated by another bodypart; and fixed line which employs the mime concept of fixed point to create more convincing geometric illusions.

The electronic dance community has played a large role in the increasing robustness of tutting due to the more abstract nature of its own predominant style, liquiding. Tutting is now highly regarded in both the electronic and funk dance communities for its technical depth and distinctness to the extent that a sufficiently dedicated member from either may use it as their dominant style, and is occasionally referred to as a tutter. As such, practitioners of tutting will take from other funk styles in their performance, just as for instance, poppers would incorporate tutting in their own style during its formative years.

Moves

Both boxing and the hinge illusion are special applications of the mime concept fixed point. Another style, called fixed line, requires that dancers apply this concept rigorously to more convincingly convey the illusion of solid shapes. Much as a mime conveys a wall by always keeping one hand on the wall, or shows a rope by always keeping one hand on the rope, a tutter shows a shape by always maintaining at least one side of the shape. To do this, a tutter will assemble a shape part by part and dissasemble it in the same piecemeal fashion.

With practice this method can be used to create elaborate geometric patterns. When these patterns are formed only with the arms the effect is similar to boxing as described above, but now tutters are learning to incorporate all of their body parts to create a more dramatic effect.
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Tuesday 8 April 2014

CONTEMPORARY DANCE WORKSHOP

Here we go 1st Time in Delhi , 25 Students Maximum enroll ! So hurry up !!
3 HOURS INTENSIVE CONTEMPORARY DANCE WORKSHOP !!
Facilitated by Rahul Goswami
The Intensive is based On -
1 - Flying low dance Technique
2- Experimental Contemporary Routine Work
3 - Forsythe Improvisation Technologies
4- Contact Improvisation Composition
This workshop focuses mainly on the dancer’s relationship with the Floor , Space , Body ,Speed and Strength.

Schedule:
DATE - 13th April 2014
TIME - 12:30 to 4:00 pm ( Sunday )
FEES - Rs 400
Maximum Students - 25 students Can Enroll , Hurry Up !!
VENUE - Gati Dance Forum
S-17, Khirkee Extension
Opp. Select City Walk
New Delhi-110017

HOW TO REGISTER?
To register, please Contact - 8505955699
email us - artofmovement2014@gmail.com
with your name, phone number & email address and 
your movement/ dance background

ABOUT THE ARTIST:
My name is Rahul Goswami and I’m an experimental contemporary dancer and choreographer, based in New Delhi, India. I juggle between roles of a performer, therapist, choreographer and researcher in a variety of dance forms for the last 6 years. In this short span of my career I have had the opportunity to work with some great visionaries in the art industry on several grand-scale projects.
I was engaged in these 4 years with physical techniques such as Flying Low, Passing through, Release technique, Experiential anatomy, Choreography as well as Forsythe improvisation technologies , Contact Improvisation , And GaGa.
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Sunday 6 April 2014

Shiamak Davar


CONGRATULATIONS Shiamak for receiving the Governor General of Canada Medallion & Citation from Consul General Richard Bale
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